How to design bad direct mail
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As I’ve been signing up for industry events lately (as well as planning my big day), there’s a ton of direct mail coming through in my mailbox—and along with it, many examples of what
NOT to do.
Here are a few examples of
direct mail DON’Ts:
- No return address: who is this coming from? Why should I open it?
- Generic content: how does this relate to me? Why would I buy this?
- Poor design: this seems like a no-brainer to a designer such as myself, but apparently not everyone gets it: good design sells.
- Cheap paper: if you’re spending the money on printing, please use a nice, heavyweight paper*—especially if your piece is targeted to graphic designers (we’re a finicky bunch!)
- No design: I’ve received direct mail that resembles an office memo, 2 pages typed and stapled together: straight to the recycling bin!
- Too many mailings: let’s try to save a few trees, yes? A postcard every week (or more often) is really not necessary.
*No neon shades of copy paper, please!
And now, some
direct mail DOs: (i.e. pieces that make me take action)
- Simple yet eye-catching design and layout
- Well-written with content I can relate to
- A multi-channel campaign: a postcard followed up with a corresponding e-blast
- Unique format or size (folded, square, oversized**)
- An offer I can relate to or take advantage of
- A personal note or handwritten message (if you have a manageable clients, give your direct mail a personal touch)
**Make sure to check postal requirements
Don’t have an in-house team to give your
direct mail the love it deserves? Work with a [insert shameless plug here]
graphic designer, who can walk you through the process and help you achieve results.